![]() ![]() * Supports AudioUnit plugins and any CoreAudio interface. * Extensive DAW features via the Ardour Digital Audio Workstation. * Comprehensive "at-a-glance" metering with peak, peak hold, and compressor gain reduction visible on every track and bus. * Plugin delay compensation to support effects such as parallel compression. * Stereo Master Bus that features Tone controls, Analog Tape Saturation, K-meter, and Limiting to help you make polished mixes. * 4 Stereo Mix Buses (can be used for groups or auxes) featuring Tone controls, Compression, Sidechaining, and Analog Tape Saturation. * Unlimited stereo or mono input channels (based on available CPU power) featuring High-pass Filter, EQ, Compression, and 4 Mix Bus sends on every channel. * Precision DSP algorithms for EQ, Filter, Compression, Analog Tape Saturation, and Summing based on Harrison's world-renowned large format analog and digital mixing consoles. * Straightforward "knob per function" mixer layout based on Harrison's renowned 32-series and MR-series music consoles. Mixbus enables you to record, edit, and mix a musical performance in-the-box while getting a sound that harkens back to the golden age of album recordings. "True Analog Mixing" is based on Harrison's renowned 32-Series and MR-Series console designs, plus Harrison's proprietary digital mixing technology. Mixbus "True Analog Mixing" provides critical mixing functions in a knob-per-function interface. You can find out more here, or watch the video below.Mixbus is a virtual "analog console" integrated into a full-featured Digital Audio Workstation (DAW). It’s available in all major workstation formats: AAX, AudioUnit, VST3 and VST. The Harrison 32C channel strip plugin retails at $89, but it’s now carries an introductory price of just $49. While every section has an audition (Ear) button to solo that particular stage, the routing section also provides an audition button for each point in the signal flow between each element. This allows you to listen to the effect of one, two, or all three elements in their assigned order. ![]() The Bump button recreates the slight resonance of the original filter, resulting in an extra low-end boost just above the filter’s cutoff frequency.įinally, there’s a Routing section that provides automated routing of the Filters, EQ, and Compressor stages. First of all, they’re overlapping filters and feature a Bump selector on the HPF. Maybe the best kept secret of the channel strip is the Filter section. ![]() The high and low bands are shelving, but can be selected as additional proportional-Q bands for more surgical work when Bell is selected. ![]() That means that small gain changes provide for provide a fairly wide Q, but push the gain in either direction even more and the Q becomes sharper. It’s a 4 band EQ with the middle 2 bands using a unique proportional-Q design. The EQ section is what originally got the console its rave reviews. The Compressor section is interesting with 3 quick Mode selections ( Compressor, Leveler, Limiter), a vertical threshold control, vertical gain reduction meter, Makeup Gain and Ratio controls. Input/Output is pretty basic in that it provides ☒4dB of gain (that’s way more than what most plugins provide), a VU meter emulation and a phase selector. Like most channel strip plugins, the 32C is divided into 5 sections – Input/Output, Compressor, EQ, Filters and Routing. Harrison has finally released its 32C as a channel strip plugin that can work on just about any DAW. While the 32C’s equalizer has been available as a UAD plugin for a while now, and the entire console was modeled in Harrison’s MixBus DAW, most people working on other DAWs haven’t had a chance to experience the emulation of this great console yet- until now. hits in the 70s and 80s, yet unless you worked on the desk you might not be aware of its various attributes. The original Harrison 32C console was responsible for the sound of so many U.S. ![]()
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